NK6 LINK IS FIXED!!!!!!!!!!!!!!!

I PROMISE!

Iron Lung//Hatred Surge – Broken-A Collaboration - 7"

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Razors Edge-Thrashing Goes Lovely (2008)

Ridiculously awesome fast thrash from Japan

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Sex Vid-Nest 7" (2008)

Pacific Northwest punks Sex Vid deliver another three tracks of fast, demented early '80s inspired hardcore with increasingly bleak lyrics influenced by bands like Necros.

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Baixo Calao-Tu Crias

Grind/fastcore dudes from Brazil

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Nihil Baxter-18 Song Demo Tape.

Free demo on their myspace page
German dudes, Ex Surf Nazis Must Die members!
Get ittttttttttttttttt

Rosenbombs-ST+ 2 Unreleased Demos

Furious as fuck hardcore ramming its love for bands like Siege down your throat so hard and fast you’ve practically puked it back up before the bitter taste has even had chance to stick in your gullet. Initial listens might not reveal much, suggesting little more than a noisy, directionless mess, but a few plays down the line you begin to catch on to what the hell is going on and revel in the Rosenbombs’ hateful, negative energy – all eleven bastard songs of it.

Click all records/recordings in one zip.

PAINTBOX LINK IS FIXED

High Tension Wires-Midnight Cashier

The Denton, Texas pop punk act the High Tension Wires mix the clipped minimalism of Wire (appropriately enough) with the skinny-tie melodies of vintage American power-pop on their 2007 release MIDNIGHT CASHIER. While there's nothing especially original about tracks such as "Old Enough to Be Home Alone" and "Tokyo is Burning Down," the Wires run through them with confidence, attitude, and charm. This is vintage teen angst played at the speed of little yellow pills.

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High Tension Wires-Send A Message Lp



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Funerot/Rabid-Rabid and Funerot are insane for brains! -split

THRASH DUDES.

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What record should i post next?

Speak up you lurking jerks!

I was thinking maybe the Ecoli Demo

http://www.myspace.com/ecoliba

Christian Club-Final Confession 7" and Self Titled 7"

San Diego's Christian Club play fast, tight hardcore like you've come to expect from Sorry State Records. These guys are separated from the pack by two throat-shredding vocalists, great production and vehemently anti-Christian lyrics. Recommended for fans of early Dr. Know, Strung Up and Direct Control. (Sorry State Records)

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Boy's Club-This is my face 7"

The wonderful Boys Club. Reminds of some old lost recording of one of those old Aussie bands The Victims or News. Sloppy played done the right way that adds that special touch. The touch of we don’t give a fuck! (Killed By Death)

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VA-Mosh Circle, Jerk Punks

The first anthology album from THRASH ON LIFE RECORDS headed by Kenji Razors. Contains 4 tracks by RAZORS EDGE, 5 tracks by BBQ CHICKENS (who does Daft Punk's classic "ONE MORE TIME" among other stuff), 5 tracks by TOMORROW, and 2 tracks by IDOL PUNCH. Japanese thrash bands! I have records by all these bands if any of these bands excite you.

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Should I post more records?

yes?
no?
don't care?

Killed in Action-We Ruin Fun-Lp

KILLED IN ACTION have destroyed the hardcore scene, littering the Midwest landscape with a trail of mutilated thrash fans, burned-out house parties and torn up punk clubs. Anyone whose played a show in Columbus Ohio have most likely played at the home of KIA: a destroyed madhouse known as the Legion Of Doom, one of the most disgusting shards of Ohio punkdom ever to exist! Only these conditions could spawn a band of such fury! KILLED IN ACTION use a powerviolence foundation and smother it in old school crossover hardcore, new school fast as hell thrash and a very large blast of sarcastic, ugly hatred that fuels their never ever ending quest to ruin everyones good time! That equals thrash greatness, punks! Fans of MUNICIPAL WASTE, CRUCIAL UNIT, VOETSEK and CAPITALIST CASUALTIES will be in awe of this incredible new recording. Total scene hatred over-load! Columbus represents! (Six Weeks Records)

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Magrudergrind/A Warm Gun Split 7"

This was a request. This is not my rip and I say that because one of the songs skips and there's some light record crackle but it's not bad.

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Customers-Shut up! (we're dead)-(2007)

Putain cette fois-ci Customers c’est vraiment fini! Le quatuor parisien s’est séparé début 2007 pour divergences internes comme on dit poliment. Le rideau semble être définitivement tombé sur leur chouette hardcore vieille école. Pour nous consoler de cette trop rapide séparation Customers propose leurs dix derniers titres sous la forme d’une troisième démo superbement présentée et mise en page par Stef du génial fanzine Rad Party…qui est aussi le chanteur du combo. Pour ce troisième et dernier effort discographique Customers poursuit sur la lancée de sa dernière démo qui laissait place à quelques plans mi tempo dans une salve de hardcore américain début 80’s de haute tenue. Le son clair caractéristique de la guitare, l’approche délibérément roots de l’ensemble, le chant toujours à la limite de la rupture (ce qui en fait tout son charme), l’énergie punk…tous les principaux éléments de leur musique on les retrouve en grande forme pour cette dernière danse, pour ce dernier bal, leur dernière virée. Je dirais juste que le groupe n’a jamais eu un aussi bon son que lors de cet enregistrement, que le mix est particulièrement réussi et que les compos alternent entre les essais mi tempos de la deuxième démo et la furie hardcore pur jus de la première. On a même droit à une reprise personnalisée de Minor Threat pour clôturer la galette de la plus belle des manières. La boucle est bouclée ! Chers Customers…merci pour tout !!

I have no clue what that says.
Basically if you like Regulations, Amdi Petersens Armi, Vicious, Masshysteri or shit like that you'll dig these French dudes.
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Lords of Light-Self Titled (I think)

While it's not as balls-out weird as the album that was released by Life Is Abuse last year, this eight-song 7" from the Seattle thrashcore band Lords Of Light (who have connections with eco-black metallers Wolves In The Throne Room) is still one of the quirkier EP's to have been issued on 625 Thrash. Presented in a goofy, brightly colored record sleeve that is illustrated with crudely drawn cartoons of cosmic superheros doing battle with assorted evil robots, this EP rips from start to finish with a hyperfast hardcore style that falls somewhere in between a cracked-out Infest and a kind of SST Records vibe that's hard for me to put my finger on. Lords Of Light can attribute some of the gnarliness of their sound to their pared-back instrumentation, made up of only drums, baritone guitar, and vocals. But it also sounds like these guys have been listening to a lot of art damaged hardcore and noisy post punk, an ineffable element that doesn't make them sound like any other band. You could probably draW some comparisons between LOL and Iron Lung due to the bass-heavy brutalness of their Infest worship, but these guys are infinitely more freaked out, setting up songs with jangly rock riffs and weird jaunty melodies, total vocal freakouts and some other sounds that you don't normally hear on a record this freaking fast.

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BxUxSxHx-New American Century

Brazilian political thrashers who combine tinges of 60's and 70's rock & punk with straight ahead 80s Brazilian heavy hc/thrash! It's a twisted musical brew that will get you into the circle pit. Lyrics in Portuguese & English.

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Knuckle Scraper-Demo-lition (2007)

Texas powerviolence dudes.

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Bad Dirty Hate-Self Titled 7"

I asked for requests and someone requested I post something bad for a change so here you go:



DEBUT 7" FROM THIS BAND BASED IN OSAKA, JAPAN. 7 TRACKS, WITH 4 BEING FROM THEIR 2006 DEMO. FAST PACED THRASHCORE NOT UNLIKE GAUZE AND SIMILAR ILK.

This 7" rips!
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The Sluts-12" of Sluts Ep 1982

I don't really know a whole lot about this band except they were a hardcore punk band from New Orleans that existed in the early 80's.

I don't wanna be your friend audio sample.

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any request?

I have lots of records so i may have something you're looking for.

Paintbox-Earth Sports Ball Tournament

Here is a band that gets better and better. Starting with their self-titled 7" to their CD titled "Singing Shouting Crying" to the earth-shattering "The Door" / "Provided Railroad" 7". The progression from the first to the current amazes me on how much a band can improve and continue to grow while not staying within their formula. The last 7", including the current release, has moments of a spaghetti western mixed with a blend of old school Japancore with some metal overtones. An absolute enjoyable listen. The songs have melody and rage while they continue to search to find new elements to introduce. They bring in horns, acoustic guitar and harmonica at moments to add more texture to their music. If you have been following the Japanese music scene, you know that these guys are heavy hitters. (Razorcake)

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Lycanthropy / Say why split

Two Super fast powerviolence-grind-fastcore whatever bands from the Czech Replublic

Lycanthropy myspace

Say Why myspace

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The Suspicions-Self Titled Lp

Influenced equally by 70's garage punks like DMZ and the Scientists and unlikely pop heroes such as Rick Springfield and Joe Jackson, Seattle's the Suspicions strip both genres down to raw jangly riffs and catchy, sing-along choruses. Formed in early 2004, the group consists of Karen Mitchell on guitar and vocals, Bryan Standridge on bass, both formerly of the Knock-Ups from San Francisco, and Boom Boom Records alum (and current Fe Fi Fo Fum) Nick Larson on drums.

Myspace

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Instangd-Mitt svar på ingenting

Sweden's Instängd are a new band featuring members of Regulations and Tristess, but they don't sound anything like the melodic punk of those bands. On Mitt Svar På Ingenting, Instängd take as their main influence old, barbaric Scandinavian punk like Headcleaners / Huvudtvätt, Missbrukarna, or S.O.D. (the Swedish one, not the one from New York). If you need a less obscure comparison, Urban Waste would make a good reference point since this has a completely blown-out, blistering guitar sound and catchy, punk-as-shit vocals. Needless to say, this six-song rager destroys everything in its path. (Sorry State Records)

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NK6-Keep on keeping on

Hailing from Japan, NK 6 dish out nine blasts of hard hitting hardcore. The style is pretty classic Japanese thrash with a bit of melody and a crazed approach (would you expect anything less?!). Complete GAUZE worship at work and just so happens that Fugu from Gauze produced this little gem.

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Look at that drooling bastard!

it sounded really loud they said it really loud

Epicycle-Teenage Suicide

A bunch of young kids (15 to 18 years old) from Chicago released an album and three great singles on their own label Cirkle records between 1979-81.

This is what the terminal boredom nerds had to say about it:
Probably the first essential Rave-Up reish since the Penetrators' "Kings of Basement Rock" LP. Late '70s Chicago masters of hard pop/punk/r'n'r come out blazing with the comped "You're Not Gonna Get It" and parlay it into a number of even better tunes, most notably the Damned-soaked "Underground" and the epic/anthemic "Hardcore Punk." "Radical Attitude," aside from boasting one of the greatest song titles ever, mines Boys-ish balladry and features Andew Ellis Clark's proclamation that he is, ahem, a "niggerwhitehonkeyjew, all wrapped in one." Retarded.
For fans of KBD/Bloodstains type shit.

Click (Vinyl Rip)

The Observers-So whats left now

Melancholy singalong punk. Combines the darker and more experimental aspects of bands like the Dead Kennedys and WARSAW & other late 70’s UK art punk with the anthemic choruses of LA’s Youth Brigade yet sounding nothing like any of those bands. Put these guys on a bill with the Stitches, Geisha Girls, Manikin and the Distraction and the art punks will go nuts!

Myspace

Click

also check out:

The Speds

Pre-Observers, some of these songs ended up being on Observers records.

Red Dons

Born from the ashes of the Observers. Same songs, new name.

"New band featuring Doug from the Observers and Justin from the Clorox Girls doing anthemic punk similar to where the Observers left off. Expect a 7” in late February and some touring in 2007.

Here's a shitty photo I took of Red Dons playing at a bar last year:



Clorox Girls played too:



The Revisions

In 2006, Justin Maurer of the Clorox Girls asked Douglas Burns of the Observers and Red Dons to perform an acoustic set at one of Maurer’s book readings for, Don’t You Take Your Life. Burns, along with fellow Red Dons members Hajji Husayn and Derek Skokan, adapted songs he wrote while in the Observers and Speds into an acoustic format for the set. These adaptations proved to be popular amongst the group’s friends and they were encouraged to continue performing. That is how the Revisions formed.

Any you jerks have any request?

Maybe some Pearl jam or something.
Speak up

Wrangler Brutes-Self titled Cassette + Zulu Lp.

Sweet artwork dudes



Formed in 2003 in Los Angeles, California, U.S., Wrangler Brutes released a cassette, a 7" record and one full-length LP before breaking up in December of 2004. Featuring Sam McPheeters (Born Against), Andy Coronado, Cundo Si Murad, and Brooks Headley, the band sold over 1,000 copies of their self-released, self-titled cassette in 9 months before recording their debut album Zulu in May of 2004 with Steve Albini, which featured Chris Thomson (of Monorchid and Circus Lupus fame), as well as Circle Jerks' Keith Morris on back up vocals. In Japan, at the end of a lengthy tour, McPheeters bowed out and was replaced for the band's last US show by Dean Spunt of the band Wives.

The band was known for somewhat confrontational, hectic live performances which were heralded by their biggest fans as a return to the artsy yet entertaining briskness of early Los Angeles hardcore punk. McPheeters' sense of humor dominated their presence as a live act; his patter, alternately caustic and cryptic, was a major aspect of these shows. On their first tour, their set ended with noted history buff McPheeters donning a wig and reciting a dramatic monologue taken from the closing scene of act 1 of Shakespeare's Henry V.

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Wives-Erect The Youth Problem

Band creation myths don't get much weirder or better than this: according to legend, Wives singer Dean Spunt launched his own label, Post-Present Medium, and financed his band's first EP using the large settlement he scored following a traffic accident with one of the Backstreet Boys. If the fact that blow-dried creampuff Nick Carter's musical career is inexorably linked with Spunt's spastic, minimal no-wave doesn't prove that God does indeed have a sick sense of humor, it's unlikely that anything else will.

Wives trade in a cramped, nervous fury that bubbles just below the surface of their short, scabrous eardrum assaults. A collision of detuned guitars, busted drums and Spunt's distorted, Albini-esque wails completes a mental image of open mic night in the psych ward. Wives also recall the feral stompings of prime Big Black and Black Flag -- the period when both bands scored high on unfocused rage and significantly lower on technical skill and actual songs (only four of these 14 tracks clock in at over two minutes; most quickly burn out or collapse under their own weight. Erect the Youth Problem is a loud, vicious, chaotic mess (which is entirely the point), but in this business, that's often more than enough.

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Nothing my love can't do for you baby!

I like how the last 2 records posted match the layout of the page

Good job me!

The Drags-Stop Rock and Roll (1997)

OK trashhounds, let the headaches begin 'cause Albuquerque's truncaters of trash THE DRAGS have spewed forth a ragged chunk of completely unrestrained lo-fi slop n' sleaze that'll bring you to yer knees, on their first full-length foray, THE DRAGS "Stop Rock & Roll" LP/CD! 12 crazed cuts of prime DRAGS stomp and howl that clocks in at just under twenty blazing minutes... a mutated march thru the rotting r'n'r graveyard that radiates enough raw nerve electricity to melt that plate in yer pretty little head, and kick yer sorry ass straight outta the pan and right onto the burner dig? So join the HEAR AND NOW with THE DRAGS "Stop Rock & Roll" (Estrus)

Myspace fanpage

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Gene Krupa-Best of (Verve)

Best record posted so far!



Gene Krupa (January 15, 1909 – October 16, 1973) was a famous and influential American jazz and big band drummer, known for his highly energetic and flamboyant style.


Click Vinyl rip.
Almost all the records posted in this blog are vinyl rips but most of them are ripped on first play so they're perfect. I bought this used and its an old record so there's some surface noise between songs but that's pretty common for any record thats been played more than once.

Rice-Fuck you, this is rice!

Rice Loving assholes

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Fe Fi Fo Fums-Shake All Night

More Seattle shit heads telling you how it is!
Seattle's Fe Fi Fo Fums have a knack for quick, energetic songs of sonic chaos. The LP Shake All Night is a heavily-amplified, trash punk session of fuzzed-out lyrics and sweet one-liners, and it doesn't wear out its welcome. It’s a pretty short album that leaves you ready for the next round of the same jabs.With songs entitled "My Baby's Got the Boom Boom!" and "Fuck New Wave,” none are quite complete without a few "come on baby's" and heavy bass lines. Its simple structure and fun-filled party mood makes this album a good choice if you like to go Boom Boom all night! (Prick Magazine)

Myspace

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Black Market Fetus/Wasteoid Split

A lethal combo of midwest lunatic thrash bands!!! Nebraska's WASTEOID have not released any new material since the highly acclaimed "Total Pukeoid"LP in 2001. This new barrage of thrash lays waste to all, delving into ultra-thrashcore and power violence with tenacity. Your long 5 year wait is over!! Iowa's BLACK MARKET FETUS has toured the globe since their 2004 "Midwest Meltdown"CD on Six Weeks. This new session destroys with that same, finely honed combination of grinding thrash and death metal leads and breakdowns. Finely both bands return with their best material unleashed and unforgiving!!(SixWeeksRecords)

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Magrudergrind-Rehashed (2007)

MAGRUDERGRIND have led the recent charge of youth thrash bands to infest the USA in the last few years. After highly acclaimed records on labels such as Robodog, RSR, Punks Before Profits, To Live A Lie and Torture Picture Garden, its high time they released a full length LP of their own.(SixWeeksRecords)

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This is what you should be listening to:

Various Artist-this is "Arbor 01"

^^I love taking shitty pictures

Arbor’s first release, like most, is a compilation mixing regulars and well-wishers of a more-or-less friendly disposition. However, unlike many early label-comps, ‘Arbor 01’ is long, lean, and covered in jewels - just like a tennis bracelet. 17 tracks, all 80 minutes. Nestled inside a handsome 18-page, full-color digest with art contros from each band, this CDr is littered not only with top-form submissions from each band, but also huge production quality and thoughtful editing so the tracks flow with little incident. I almost fear that these songs aren’t originals, like this is a sampler (is it?) or something equally misleading. That would be disappointing, because it’s just so huge (think Polyamory’s ‘New Skin for the Old Ceremony'):

Sneaky Pines play “Ice Age” which opens the comp with an all too brief Thanksgiving/Palace piece which drops off after the first refrain. Hannu Karjalainen flips it for real with some Ui/To Rococo Rot-skills; not just some immature experiment, this song cycles through breathy, glitchy beats, toy-piano melodies, and assorted layers of whispy-thin samples, including some exotic, thieved monologue. Futurians whip-out “NEON”, a straight-forward, mid-paced garage romp with reverb like the singer’s drowning. Bagels and Cream Cheese play some blown-out bubblegum instrumental, totally demented for its complete lack of irony. e*rock’s “Waves” is a little collage of gentle noise creating a soundscape of real and abstract liquid imagery – a classy exercise which seems to be all but forgotten lately; in related news, Treetops’ “Laffy Taffy” is a skilled composition of found/nature sounds, metronome, improvised sax (?), and sheets of heavy metallic textures. Pow - Raccoo-oo-oon are at their most heavy-handed and reckless on the thinly-veiled drum solo “Dust March.” The whole kit gets a workout in this quasi-free jam, backed by feuding brass and chants. The longest track thus far, it is a nice, deep side-trip to split up the comp journey.

Gastric Female Reflex get nuts with some plundercomic/thrash vérité, preparing the ear’s delicate palate for the incredible “Light Feelings” by Horse Head. A gorgeous guitar piece with tape accompaniment (or perhaps just recorded to recycled tape), the song is almost flamenco for its clapping, swaying pace. These guys (?) have long-evaded my stereo, but I will be immediately pursuing more in the hopes that their other releases are even in the same arena as this. Joe + n rocks it doom-lite, verging on that Shipping News/Bitch Magnet sound, though unfortunately distracted by some high-end (intentional?) loose-wire/tape distortion. The Goslings pick up le pace with the 8-minute epic “Sanibel”, yet keep the doom with a huge wall of fuzz-gloom and pounding war drums – the wash unexpectedly pierced by high, angelic vocals, making me think of what Lush would sound like if they grew up with Sabbath instead of The Slits. Speaking of Lush, “The Upstairs Room” by Ethelscull sounds like some 90s 4AD/Brit-pop which has had all its over-produced color burnished-down to a nice dusty-glow, and mastered to be just-inaudible (I’d say a bit too much so). Silver Daggers play some full-band post-ska (yeah I did), first with a skronky/brassy up-dance-beat, then a dark, free-jazzy down-stopdancing-droopy beat, filling out the back-half of its 8 1/2 minutes in a tense state of dirty breakdown and full-band harmony. My boys Robedoor do not disappoint with “Coma Toes” (cuute!), a buzzsaw and bass slow-burner lathering into Pruriential orgasm, hissing as it sinks into the lake of hell and black make-up. Barrabarracuda “Wiretap-tap-tap” out a sloppy no-wave party jam with great group vocals and wicked back-end reprise. Haunted Castle pick up their junior Wolf Eyes-badge with “Killer (rad) Bees”, a track that has less to do with bees than it does barfing quivering laser beams into a wall of staticky TVs. Loopool cap this fucker off with a mystic jazz of trumpet, clean keyboards, and funky bass; and like the intro by Sneaky Pines, “River of Muck” starts going somewhere rad, then evaporates – leading back to the beginning in a cycle of awesome fucking music.(Animal Psi)

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Funny Elephant record

I bought this at a record convention because I thought it looked cool!
Cardboard record thing with some sweet songs about the Circus.






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The Brotherhood of Electricity-Self titled 7"

Rambunctious little buggers outta the Austin, Texas and Seattle, Washington scenes up the voltage on this succinct seven inch adventure. It's punk to be sure yet it's not the standard carbon copy being passed as punk these days. When you explode from the gates with distressed whirling drill bit bass guitars, synth keys, and noise spurts sounding like their slowly slipping in and out of tune or eating a tape reel but still keep that fucked up fast rhythm in sync, I'd say that's not your run 'o the mill punk progression. Has punk progressed? The Brotherhood of Electricty is least attempting to shove it in a weird & rockin' direction. Good! A respectably obliterating and damaged cover of Negative Approach's "Nothing" kicks yer ass in and features Tim Kerr on bass(SuperSecret)

Myspace

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I've set my sights on you!

We are young, heartache to heartache we stand

You leave this house nowww!!!!!!!!!!!

Iron Lung-Comedy Hour

This is one limited release that you are going to be willing to kill puppies to get. Enterruption Records gave birth to this live cassette from IRON LUNG recorded in October of 2001 at Burnt Ramen in Richmond, California. It is a highly limited, collectors release that comes in a "books on tape" folder and includes limited "Perspectives of Medicine Tech" artwork printed on vellum. Can it get any better than that? Only if you listen to the tape. For those uninitiated, IRON LUNG are a two-man band from Reno, NV that specialize in a brand of audio violence heretofore unknown in the extreme underground. Bearing marks of grind, power violence, thrash, and even oldschool HC, they are one of the handful of bands that have applied new and innovative approaches (arrangements, chords structures, thematic unities, etc) to their underground musical machinations. If you are one of the handful of people who remember the all-too-brief existence of KRILEZAC, then you know the foundation upon which this was built (IRON LUNG was born of the KRILEZAC ashes, although they have a more measured and sharp sound). For others, think of the later efforts of Reno's almighty GOB, whose founder Jon is ¸ of IRON LUNG. If you are wondering why the title "Comedy Hour Live," it has a specific meaning but you'll have to buy the tape to find out, because I'm not going to tell you. As stated, this is a very limited release so you want to have ordered it yesterday.(In music we trust)



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Vingança - até a hora de cair 7'' (brasil)

Hardcore/fastcore/punk whatever from Brazil

Myspace

Download

Listen to the radio!

For your viewing pleasure

L'Amico Di Martucci/Ohuzaru Split

Ohuzaru were blasting thrash from Italy, who reformed into the now legendary L'amico Di Martucci. While Ohuzaru contributes their brand of fast and ballistic thrash to this CD, L'amico Di Martucci offers what they have become infamous for: a perfect blend of high energy hardcore punk with hooks and catchiness (ala Lifes Halt).
Some of the members went onto form La Piovra which is definitely worth checking out.

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Rot Shit-The Worst Kids Ever 7"

The album cover alone should tell you this albums awesome!
(Big Neck)
ROT SHIT - Worst Kids Ever 7" (Big Neck Rec.) 5,00 Euro
12 song sreaming KILLER Ep include covers from LOLI AND THE CHONES, THE QUEERS!!! A collection of some of the most retarded punk rock ever recorded courtesy of Pittsburgh mush minds ROT SHIT--STEVE & DAN RADIOBEAT, along with friends JAMIE and VINNIE. Twelve over-the-top tracks of crazed and dangerous punk that takes on themes of hot dogs, The Devil Dogs’ Steve Baise, and more. Catchy, hook-loaded and dumb.
This records $5.00 with shipping if you like it, buy it!

Myspace for you shitheads

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Divorce-Discography

In 2002 I moved to Athens GA, I didn't really enjoy living in Athens being from the West Coast and all. It was super hot and there really wasn't a whole lot to do in that little town. Luckily I met a nice dude at a tattoo shop that tipped me off to some house shows and other DIY happenings around town. Through him I found out about this little band called Divorce that had house shows quite often with lots of touring bands. I started going over to the Divorce house a lot to see shows and was lucky enough to catch Divorce play numerous times. Divorce tore shit up with dual male vocals, fast as hell drumming, crazy riffs and retarded lyrical content, just an all around crazy ass band with lots of energy. After Divorce split up some of the members went on to form No! and American Cheeseburger and before Divorce some of members were in Goat Shanty which is definitely worth checking out. I may post some Goat Shanty and No! here in the near future.

Divorce put out a demo tape:


a seven inch:


and a discography CD with a live set at the end:


Myspace 2nd song is Divorce.

Discography